EVERY Record I OWN! TOUR My ENTIRE VINYL Collection ! ＂P＂
United States of Analog | November 21, 2024
🎙️ Early Video Analysis
What is this video about?
This is episode 2 of the host’s series where he’s flipping through his entire vinyl collection alphabetically. He randomly draws Scrabble tiles to determine which letter section to review. After drawing the letter “P” (following a disappointing “A” episode with only 15 titles), he begins showcasing his “P” section which contains 58 titles.
What are the host’s main opinions or takes so far?
- He was embarrassed by his letter “A” section, calling it “lackluster” with only 15 titles and some “mid” choices like Adam and the Ants [00:00:48 – 00:01:11]
- He admits to a “rookie mistake” by filing Alice Cooper under “C” instead of “A” [00:01:21 – 00:01:51]
- He explains he has about twice as many CDs as vinyl records, with some duplication between formats, especially for The Beatles, The Stones, Bruce Springsteen, and Pink Floyd [00:02:44 – 00:03:06]
- He’s enthusiastic about the letter “P,” calling it “a banger” and predicting it will be much better than “A” [00:03:26]
Any interesting vinyl records, albums, or music discussed?
- Robert Palmer – Clues (possibly from his first collection) [00:04:33]
- Graham Parker albums including: Howling Wind, Heat Treatment, Stick to Me, and The Real Macaw [00:04:43 – 00:05:20]
- The host expresses particular enthusiasm for Graham Parker, mentioning he’s seen him live many times and comparing him to Elvis Costello, Joe Jackson, and the Boomtown Rats from the UK music scene
Any funny moments, strong opinions, or memorable quotes?
- Opens with an intriguing tease: “I introduced Stevie Ray Vaughan to Prince” [00:00:04]
- Self-deprecating humor about Adam and the Ants: “Adam and the Ants, really, Bob? Seriously?” [00:01:11]
- Enthusiastic subscription pitch: “punch that notification bell really hard until it hurts. Punch it real good” [00:04:04]
- Confused about modern YouTube terminology: “don’t forget to hype me. And I don’t even know what that means, but I’ve been told to say it” [00:04:12]
Summary:
In this second episode of his vinyl collection tour series, the host of United States of Analog continues his alphabetical journey through his record collection using randomly drawn Scrabble tiles. After expressing embarrassment over his sparse letter “A” section from the previous episode, which only yielded 15 titles including what he considered some mediocre choices, he’s hoping for better luck with his next draw.
The host draws the letter “P” and immediately perks up, predicting this will be much more substantial than his disappointing “A” episode. Indeed, his “P” section contains 58 titles, many of which are duplicates or multiple albums from the same artists. He addresses viewer comments about missing artists from his “A” section by explaining that he owns roughly twice as many CDs as vinyl records and tries to avoid too much duplication between formats, with exceptions for major artists like The Beatles, Rolling Stones, Bruce Springsteen, and Pink Floyd.
As he begins flipping through his “P” collection, the host shows genuine enthusiasm for certain artists, particularly Graham Parker. He owns multiple Graham Parker albums and speaks knowledgeably about Parker’s place in the late 70s/early 80s UK music scene alongside artists like Elvis Costello and Joe Jackson. The host’s passion for the music comes through clearly as he discusses having seen Parker perform live multiple times over the years, suggesting this will be a much more engaging episode than his previous lackluster “A” section review.
⏱️ Mid-Video Analysis
Brands/Products Discussed:
- [05:35] MoFi (Mobile Fidelity Sound Lab)
- [07:36] Chris Bellman mastering at Bernie Grundman Studios
Key Findings/Opinions:
- [06:32] “Tom Petty, one of the great songwriters of all time”
- [06:41] “I don’t think Tom Petty ever wrote one bad song”
- [07:39] Southern Accents: “Every song on it is a winner”
- [09:34] About Blood, Sweat & Brass record: “if you can get a copy of this record, you will not be disappointed”
- [10:42] Calls Pink Floyd’s “The Final Cut” “maybe the best recorded of them all”
Sound Quality Observations:
- [09:44] Pink Floyd Animals 2018 remix: “Sounds great”
- [10:44] The Final Cut has “3D sound” quality
Price/Value Assessments:
- [05:44] Many records are “OG, kind of, you know, $5, $2, $5 finds”
- [08:54] Blood, Sweat & Brass was “an old cutout, an OG copy, 44 cents”
- [08:23] Robert Daber painting “has gone up in value tremendously” and was acquired “for a song at an auction”
Vinyl Records/Albums Discussed:
Alan Parsons Project:
- [05:38] The Turn of a Friendly Card, Eve
- [05:50] Ammonia Avenue, Pyramid
- [05:56] I Robot (first press)
- [06:18] Eye in the Sky
Tom Petty & The Heartbreakers:
- [06:26] Hypnotic Eye
- [06:51] Wildflowers and All the Rest
- [06:57] Alive at the Fillmore East (multi-disc live set)
- [07:04] Mojo
- [07:08] Finding Wildflowers (alternate versions)
- [07:11] Angel Dream
- [07:15] Hard Promises
- [07:26] Full Moon Fever
- [07:36] Southern Accents
- [07:43] Highway Companion
Pink Floyd:
- [09:37] Animals (2018 remix)
- [09:52] Obscured by Clouds
- [09:52] Ummagumma
- [10:03] Dark Side of the Moon (multiple versions including 50th anniversary)
- [10:32] Dark Side of the Moon Live at Wembley 1974
- [10:37] The Final Cut (Japanese OB version)
- [10:51] Animals remastered
Other Albums:
- [06:21] Pearl Jam – Yield
- [08:42] Blood, Sweat & Brass – Phoenix Authority
Audiophile Tips/Advice:
- [07:36] Notes mastering information: “Chris Bellman, cut, at Bernie Grundman’s”
- [10:25] Distinguishes between picture disc vs. actual vinyl pressing for Dark Side 50th anniversary
Memorable Quotes:
- [06:43] “I don’t think Tom Petty ever wrote one bad song. If you can think of a bad Tom Petty song, put it in the comments below, and we’ll all beat you up. Not physically, but metaphorically.”
- [08:28] About sharing artist Robert Daber with Tom Petty: “I have a personal connection with Tom Petty now because we both have a painting from the same artist”
Summary:
This portion of the vinyl collection tour focuses heavily on the host’s Alan Parsons Project and Tom Petty collections, with particular emphasis on his admiration for Tom Petty as a songwriter. The host expresses genuine emotional connection to Petty’s music, stating he misses him daily and believes he never wrote a bad song. He provides detailed commentary on various pressings, from budget finds to first pressings, and shares personal anecdotes including his connection to artist Robert Daber who painted the Highway Companion album cover.
The host demonstrates his audiophile knowledge by noting mastering details like Chris Bellman’s work at Bernie Grundman Studios, and makes distinctions between different pressings and remasters. He shows particular excitement about finding rare or special editions, like the first press of I Robot with its original sticker and a 44-cent cutout featuring jazz legend Kenny Burrell.
The Pink Floyd section reveals the host’s preference for sound quality, praising the 2018 Animals remix and especially The Final Cut for its “3D sound” quality, which he considers possibly the best-recorded Pink Floyd album. Throughout, he balances technical audiophile observations with genuine musical appreciation, creating an engaging tour that combines collecting passion with listening experience.
🏁 Final Thoughts & Verdict
Gear, Products, or Brands Discussed
- [00:11:12] Pink Floyd Animals OB, Japanese (original)
- [00:11:17] Pink Floyd The Wall remastered and original version
- [00:11:29] Original master sound, Japanese OB, half-speed mastered Wish You Were Here
- [00:12:26] 45 die-cut picture disc (The Police)
- [00:14:18] James Burton signed Telecaster
- [00:14:33] Record Store Day release (Elvis rehearsals)
Memorable Closing Quotes or Strong Final Opinions
- [00:11:11] “What a dummy” (referring to selling/trading original records)
- [00:16:06] “No records were damaged in the making of this video”
- [00:16:29] “You will be delightfully surprised at what you will witness”
How the Video Wrapped Up
[00:15:56] The host concludes the “P” section of his vinyl collection tour. [00:16:01] He mentions that making these videos is challenging with records sliding around everywhere. [00:16:14] He directs viewers to YouTube’s algorithm-selected next video, encouraging them to click on it for more content, before signing off with his channel tagline “United States of Analog.”
Summary
In this final portion, the host continues showcasing his “P” section records, featuring multiple Pink Floyd albums including rare Japanese pressings and half-speed masters, while lamenting his past decision to sell original copies. He shares personal stories about interviewing The Police in the early 1980s for PM Magazine, including meeting Sting and receiving an autographed copy of Zenyatta Mondatta, and discusses his friendship with musician Steve Poltz who co-wrote hits with Jewel.
The collection tour continues through Elvis Presley albums, including a prized record signed by legendary guitarist James Burton, and Prince records where he reveals he stood at the exact Warner Brothers studio location where the Purple Rain cover was photographed. He teases an untold story about introducing Stevie Ray Vaughan to Prince during a concert, suggesting he might share the full story in a future video if viewers engage with the channel.
The video concludes with the host wrapping up the letter “P” section, acknowledging the physical challenges of filming while handling vinyl records, and directing viewers to YouTube’s recommended next video. His casual, conversational style throughout combines personal anecdotes with record collecting insights, creating an intimate tour through both his music collection and memories from his career in music journalism and radio.
Analysis generated from archived transcripts. Channel: United States of Analog — hi-fi gear reviews, vinyl, and audiophile culture.
